This is a really great way to create rain or power effects or some really cool speed-lines.

Step 1.) Grab a brush with a thick middle and thin edges and quickly touch the screen in a pattern that makes some cool lines like in the picture. Under the Step 1 title you can see what the brush looked like by itself.

Now SELECT them all with the BLACK ARROW(Area Selection Tool.) then go into the MENU bar at the top of the screen and select OBJECT>EXPAND APPEARANCE this converts the brush lines into solid objects that Superman can look through. While you are there in the OBJECT menu go ahead and GROUP the brush lines.

Step 2.) On a new LAYER above the speed lines you just made draw a MARQUEE like the one shown. What we will do here is chop off the top of the speed lines to place them inside a panel.


Step 3.) With the ol’ Black Arrow select the brush lines and the Marquee and go into the PATHFINDER menu and select SUBTRACT FRONT. This subtracts the shape of the Marquee we made from anything under it, hence the name SUBTRACT FRONT.

Now we have this really cool Speed Line look with a straight edge that we can place against the panels edge.

If you really want to add some sweetness to this effect you can grab the splatter looking default BRUSH and a WHITE STROKE and splatter some white over the tips of the lines. It really looks cool!

Here is a Close-Up of the SUBTRACT FRONT tool in the PATHFINDER PALLETTE. It’s the one with the handsome Red Circle surrounding it’s little picture. :)

This effect works really well in Illustrator 10 as well as Illustrator CS2.

Ta-Da!

It’s our new COMPOUND SHAPE! I placed a red star on a lower layer so you can see the magic of the Compound Shape.

Once you create the compound shape the previous 2 seperate layers named PAGE and PANELS now merge into one single layer.

You can rename this layer something dramatic, something silly, or you can keep your stuff well organized and just give it the plain jane monicker GUTTERS.

Place this sucker on the TOP LAYER and don’t move it!

Draw everything in the panels on the layers below it. You can sperate your art into seperate panel layers if the mood strikes you.

If you are into a goth book, or want your stuff to look like Ultimates you can fill your GUTTER with a BLACK FILL and BLACK STROKE. To do this just touch the Compound Shape with your Area Selection Tool, the black arrow at the left corner of your TOOLBOX. The set the Fill and Stroke to black.

I have this Compound Shape set to a WHITE FILL and a 1point STROKE.

What’s that? You don’t know what the heck I am talking about? You are new to Illustrator you say? Allrighty then, next lesson–the Quickie Illustrator tutorial

Once you have your document open and you are ready to start drawing comics you’ll need to decide on a panel layout that best serves your page and story.

Create a layer called PAGE and another layer on top of that one called panels. The PAGE frame should be as big as your page. (Remember the red outline from the previous step?) The layer named PANELS should contain the shapes of the panels you’ll want for your story.

Once the PANELS layer is on top of the PAGE layer you’ll need to go up to the MENU bar and select OBJECT>COMPOUND PATH>MAKE to create a compound path.

A Compound Path is basically a stencil shape that will overlap the artwork. Where the holes exist in the stencil we will create our art on underlying layers.

Once the Compound Path is created we will color it with a WHITE FILL and BLACK STROKE or a BLACK FILL and BLACK STROKE.

Now that we have our page setup we are ready to start drawing our comic art. If at any point you want to change your COMPOUND PATH you can go back up into OBJECT>COMPOUND PATH>RELEASE and this will turn it back into the panel frames. They will keep the same colors so you’ll need to select them carefully to change.

Another way you can change your COMPOUND SHAPE is to use the DIRECT SELECTION (The White Arrow tool at the top Right of your TOOLBOX.) and select specific points (Corners) to move that into the shapes you need.

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